countryside · crafts & knitting · in the woods

the golden hour

The shortening days are making me appreciate how precious light is and I take time to notice how magical the daylight is at this time of year. Here at the beginning of December the sun only rises to around 16 degrees above the horizon and so even at midday there’s a low light shining through the windows (I am doing my best to ignore that this highlights the dust on all the surfaces).

Early in the day the dawn highlights droplets captured on spider webs, condensed from the early morning mists.ย  And on clear afternoons from 2-3pm there’s a wonderful honey gold light which glorifies the last of the autumn leaves still clinging to the trees and makes even the tv aerials shine as though burnished with precious metals.

This golden afternoon light glows through the hedge outside my window here at home and traces lacey patterns on the curtain. Out in the woods it is cut into thick lambent wedges by the tree trunks and illuminates the ferns and fallen leaf carpet to flaming tones, and the setting sun blushes great ships of cloud sailing across the autumn sky.

The colours that I see out in the woods prompt me to rummage out from my yarn stash all the colours of peaty earth, golden toadstools and sunlit leaves and I’m enjoying playing around with these colours in some gentle paced making.

I feel so thankful to live somewhere that has seasonal changes and contrasts and deeply appreciate how they give a rhythm to my year. At the moment that rhythm is encouraging me to slow down a little and conserve energy, a muted form of hibernation if you will and I’m planning on having a quiet winter, a much needed pause before the springtime planning that we need to do for Toby’s future. Today I’m curled up here by the fire, knitting and feeling grateful to be warm and safe, I hope there’s something making you feel grateful this week, J x

countryside · crafts & knitting · in the woods · wildlife

Autumn in the woods: part 2

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There’s a line from a Mary Oliver poem, which resonates for me…

“If you have ever gone to the woods with me, I must love you very much”

ย ‘How I go to the woods’ from ‘Swan: Poems and Prose Poems’

For only a handful of people have ever come to the woods with me, and all of them are my most loved people.

Going to the woods is usually something that I much prefer to do on my own (except for walks with Toby of course), because being alone in a wood is a wonderful sensory experience which is greatly diminished if you’re chatting with someone else.

Alone you can walk quietly, listening to the forest sounds and concentrating on noticing small details: the curl of a leaf; the glint of a toadstool in the dark of a hollowed out stump; a leaf reflected in a small pool of silvery water cupped in the cap of a toadstool; the patterns in a decaying tree.

The woods feel safely enduring and impervious to the anguish and perils of the human world, and although this is of course a fanciful illusion, I am happy to embrace that feeling for an hour or two and let the woodland peace dissolve my disquiet.

Back home knitting is proving soothing too and I have a finished pair of socks and a few scarves still on the go.

I hope that you also have fortifying activities that gently reinforce hope, optimism and joy for you in these troubled times.

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crafts & knitting · new patterns

New Cow Patterns

The cow patterns are finished!

As always with my patterns there are 2 versions available:

  • one that comes with a naked body, removable shorts and a choice of 2 removable sweaters, one in an Argyle colour-work design and the other in a single colour textured stitch pattern.
  • and the other which comes with knitted on tights/pantyhose and shoes and a choice of 2 removable dresses, one in an Argyle colour-work design and the other in a single colour clover lace pattern.

Both patterns include the same range of options for the heads, including a couple of different designs using colour-work patches. There are two different options for the body, either plain or with colour-work patches, and two different options for the horns, long or short.

There are comprehensive instructions for knitting and finishing the cows, including over 100 detailed colour photographs to show the steps and the different options. By combining different colours, horns and amount of hair you can easily tailor the pattern to your needs and make a variety of different cattle breeds, in the pattern I’ve shown Highland, Argyle, Holstein, Friesian, Swiss Brown, Jersey, Redpoll, and White Park cattle. I wanted to try a yak and maybe a bison but ran out of steam, but those might also be possible.

As with all of my other patterns they’re now available on Ravelry, Etsy and will shortly be on Lovecrafts too.

If you decide to give either of the patterns a go I do hope you enjoy them.ย  As always I am very excited to see my patterns coming to life in the hands of others, happy knitting and thank you so much for your kindness and support xx